"Munich," the Travesty
According to Charles Krauthammer, Spielberg's movie, "Munich," is a distortion or corruption, a mockery of Israel's true reason for existing. In today's column, he concludes:
Munich, the massacre, had only modest success in launching the Palestinian cause with the blood of 11 Jews. "Munich," the movie, has now made that success complete 33 years later. No longer is it crude, grainy TV propaganda. "Munich" now enjoys high cinematic production values and the imprimatur of Steven Spielberg, no less, carrying the original terrorists' intended message to every theater in the world.
This is hardly surprising, considering that "Munich's" case for the moral bankruptcy of the Israeli cause -- not just the campaign to assassinate Munich's planners but the entire enterprise of Israel itself -- is so thorough that the movie concludes with the lead Mossad assassin, seared by his experience, abandoning Israel forever. Where does the hero resettle? In the only true home for the Jew of conscience, sensitivity and authenticity: Brooklyn.